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bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
This study combines art history and literary criticism in a joint study of the canonical "fathers" of modernism. Arden Reed argues that modernism is a matter of genre blending, hybridization and movements between text and image.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
These essays also address the interplay between text and linguistic structure, style as a narrative force, time as a narrative clue, narrative through emblematic versus sequential images, and the observer as a necessary activator of the ...
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
A final section of this book is devoted to the life and collected critical writings of Cheryl Bernstein, a fictitious critic created by Duncan as parody, but who was taken as a real and eventually influential, critic.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
Presenting a revised edition with a new preface of this important work, previously available only in hardback.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
Arguing that panel painting, from its origins in the Early Renaissance, was a 'self-aware image', Stoichita demonstrates that the artist and his art was often the theme of the painting.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
This volume will be a timely contribution to the current debate on the theory and practice of art history.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
A translation of essays by French critic and theorist Jean-Louis Schefer.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction?
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
These specially commissioned essays offer a radical and fresh appraisal of how ancient Greek art was looked at, written about and discussed in antiquity.