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bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
This volume focuses on selected villas and their gardens in France and Italy from the sixteenth through the eighteenth centuries.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
This study combines art history and literary criticism in a joint study of the canonical "fathers" of modernism. Arden Reed argues that modernism is a matter of genre blending, hybridization and movements between text and image.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
A final section of this book is devoted to the life and collected critical writings of Cheryl Bernstein, a fictitious critic created by Duncan as parody, but who was taken as a real and eventually influential, critic.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
These essays also address the interplay between text and linguistic structure, style as a narrative force, time as a narrative clue, narrative through emblematic versus sequential images, and the observer as a necessary activator of the ...
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
Presenting a revised edition with a new preface of this important work, previously available only in hardback.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
Arguing that panel painting, from its origins in the Early Renaissance, was a 'self-aware image', Stoichita demonstrates that the artist and his art was often the theme of the painting.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
This volume will be a timely contribution to the current debate on the theory and practice of art history.
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction?
bibliogroup:"Cambridge Studies in New Art History and Criticism" from books.google.com
These specially commissioned essays offer a radical and fresh appraisal of how ancient Greek art was looked at, written about and discussed in antiquity.