Stephen Appleby-Barr: Alignment
Nicholas Metivier Gallery
Toronto | Ontario | CanadaOriginally from Toronto, Stephen Appleby-Barr has lived in London, England since 2017. He relocated to a new studio in Hackney Wick last year and was quickly welcomed into a close-knit social circle with other residents of the building. The daily meeting place for the group is the window of Appleby-Barr’s first-floor studio which looks out into the building’s courtyard. The opening doubles as a café of sorts that is colloquially referred to as ‘The TAB’ (The Appleby-Barr). Drinks are served but more importantly, ideas are exchanged openly and fluidly. The perspective of looking through the window at his friends, with their various belongings displayed in front of them, is what inspired his latest body of work.
Alignment, referring to Appleby-Barr’s personal set of principles and way of moving through the world, features extraordinary new portraits of his friends captured amid intimate conversations. In front of each subject is an array of carefully curated objects layered with symbolism that is specific to each sitter. In contrast to his earlier portraits where his subjects are often dressed in elaborate period costumes, these latest works suggest a more personal and immediate approach. Male, female and non-binary individuals are wearing their own contemporary clothing and instead of posing as a character in Appleby-Barr’s fantastical universe, they are grounded in their own identities.
Originally from Toronto, Stephen Appleby-Barr has lived in London, England since 2017. He relocated to a new studio in Hackney Wick last year and was quickly welcomed into a close-knit social circle with other residents of the building. The daily meeting place for the group is the window of Appleby-Barr’s first-floor studio which looks out into the building’s courtyard. The opening doubles as a café of sorts that is colloquially referred to as ‘The TAB’ (The Appleby-Barr). Drinks are served but more importantly, ideas are exchanged openly and fluidly. The perspective of looking through the window at his friends, with their various belongings displayed in front of them, is what inspired his latest body of work.
Alignment, referring to Appleby-Barr’s personal set of principles and way of moving through the world, features extraordinary new portraits of his friends captured amid intimate conversations. In front of each subject is an array of carefully curated objects layered with symbolism that is specific to each sitter. In contrast to his earlier portraits where his subjects are often dressed in elaborate period costumes, these latest works suggest a more personal and immediate approach. Male, female and non-binary individuals are wearing their own contemporary clothing and instead of posing as a character in Appleby-Barr’s fantastical universe, they are grounded in their own identities.